Traspié starts off with the first step of the salida, the step to the side of the lead’s left foot.
Continuing, the man moves forward, the woman retreats. Then comes a syncope: as the woman continues back, the man offbeats two steps to the side. He does this crossing left over right.
Pam-pam goes the offbeat, doubling the time. At the completion of the sequence the man blocks his partner’s foot, breaking her motion, preventing her from crossing her feet.
They continue. The man makes another traspié, that is, a counter-beat move, two steps on one note, crossing his feet or bringing his feet tight together. This blocks, once again, the crossover. She takes a simple step back
Continuing, the man moves forward, the woman retreats. Then comes a syncope: as the woman continues back, the man offbeats two steps to the side. He does this crossing left over right.
Pam-pam goes the offbeat, doubling the time. At the completion of the sequence the man blocks his partner’s foot, breaking her motion, preventing her from crossing her feet.
They continue. The man makes another traspié, that is, a counter-beat move, two steps on one note, crossing his feet or bringing his feet tight together. This blocks, once again, the crossover. She takes a simple step back
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